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![]() The term has always been a subject of debate and criticism, particularly on how widespread such renewal movements were and on the validity of comparing them with the Italian Renaissance. This was notable since it marked a break with the dominant historiography of the time, which saw the Middle Ages as a Dark Age. The term was first used by medievalists in the 19th century, by analogy with the historiographical concept of the 15th and 16th century Italian Renaissance. These are effectively seen as occurring in three phases - the Carolingian Renaissance (8th and 9th centuries), Ottonian Renaissance (10th century) and the Renaissance of the 12th century. The medieval renaissances were periods characterised by significant cultural renewal across medieval Western Europe. For more guidance, see Wikipedia:Translation.You should also add the template to the talk page.A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at ] see its history for attribution. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation.If possible, verify the text with references provided in the foreign-language article. Do not translate text that appears unreliable or low-quality.Consider adding a topic to this template: there are already 5,905 articles in the main category, and specifying |topic= will aid in categorization.Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.View a machine-translated version of the French article.Entzminger, 'Jonson, the myth of Sidney, and nostalgia for Elizabeth', Reneé Pigeon, 'Gloriana goes Hollywood: Elizabeth I on film, 1937-1940' Paul N. Graham, 'Defining the "discipline" of Reformation Studies' Robert L. Prendergast, 'Politics, prodigality, and the reception of Chaucer's Purse Kenneth J.E. ![]() Melia, 'Congruent desires: medieval and modern reconstructions of Irish and Welsh literary artifacts' Thomas A. Clement, 'Richard Verstegan's reinvention of Anglo-Saxon England: a contribution from the continent' Anne Savage, 'Pagans and Christians, Anglo-Saxons and Anglo-Saxonists: the changing face of our mythical landscape' Daniel F. Niles, 'The wasteland of Loegria: Geoffrey of Monmouth's reinvention of the Anglo-Saxon past' Richard W. The contributions are as follows: John D. This volume features five essays that treat medieval subjects four focus on Tudor and Stuart figures, religion or politics and five concentrate on nineteenth-century uses of medieval or early modern events, literary conventions, settings and themes. Reworkings or adaptations of earlier culture often tell us more about the age in which they were produced than the one revived or revisited. ![]() In particular, the volume demonstrates that reinventions of past eras or figures can be motivated by a nationalistic desire to create cultural 'roots', to discover origins that justify a regime or group's self-identity, to appropriate a cultural icon or neglected author for a particular political agenda, or to reflect on contemporary social issues via a remote time and place. All of them focus on how and why the present of any period uses the past to promote its own opinions, beliefs, doctrines or views. They take an historicized approach to constructions of the past, and most address the relatively new field of Medievalism. The fourteen essays presented in this volume contribute substantially to the study of the reinvention of the Middle Ages and the Renaissance. A number of steel treatments are used on cases and Milanese bracelets including IP gold and bronze. They come in 38mm or 44mm stainless steel models, all using Swiss Ronda quartz movements. U-Boat is comfortable to say that its customer base is mainly men aged between 25 and 50 years-old, but women are not forgotten and this year have an especially striking watch in the form of the multi-coloured Rainbow collection.Īt U-Boat, even the physically unalterable colours of a rainbow have been subverted by Mr Fontana as he designed mother of pearl dials that sometimes darken from pink to green and other times transform from azure to mauve or orange to violet. Other Dark Moon watches for this year include black PVD or plain steel models with beige numerals, a significantly smaller 38mm version that might be worn by a lady, and a 44mm piece with bronze IP coating and a heavy hand finished calf leather strap. Either can be worn on matching steel bracelets or on a rubber strap. There are two versions of the Red model, one with black PVD and one without. Their black faces with red markers sit under curved red mineral glass where the oil is filled just short of capacity so there is a constantly dancing bubble of air under the dome. They use Swiss Ronda 712.3 quartz movements, lubricated in their bath of oil, in 44mm steel cases. Mr Fontana channelling his inner werewolf, perhaps. U-Boat has added to the Capsoil family this year with a sub-collection called Dark Moon - a reference to the blackness of their dials being like the dark side of the moon - and even given them a horror inflection with a blood red and black model. U-Boat’s Capsoil, first seen in 2019, is a watch that is entirely filled with oil, similar in concept to the artisan watchmaker Ressence, which makes a tiny number of watches priced at around £40,000 each.Ĭapsoil takes the idea and delivers it in watches priced closer to £1,500. ![]() Mr Fontana clearly has a vivid imagination that conjures watch designs that are unafraid to challenge convention. ![]() Uniqueness is seen in the multi-coloured mother of pearl dials of the Rainbow collection rarely used bronze is chosen as a case material for the 2020 Sommerso and uniqueness is delivered in a blood red version of the hypnotic Capsoil watch. The way these pillars support both consistency and innovation is perfectly illustrated in the key watches launched by U-Boat this year. Italo Fontana perfectly understands the meaning of innovation, as he constantly creates value for his customers. For example, he has recently been using anatolite, tungsten and uncoated bronze. He loves exploring new ideas, without being influenced by the market. Italo is interested in all materials, from classic steel to titanium, tungsten, carbon, copper, gold, silver and ceramic. U-BOAT uses modern and unusual techniques and materials. Proud of its Swiss movements, each and every watch is created and assembled by artisans based in Lucca headquarters, Tuscany, Italo and U-BOAT’s place of birth and hometown. The basic features identifiable in each U-BOAT collection are craftsmanship and the “Made in Tuscany” factor. In their lines it is possible to recognise Italo’s imprinting, because he personally designs each model. The creations have a very distinctive design recognisable even from a distance. Identity is the key word for the U-BOAT brand. The trick is that U-Boat is built on a solid foundation with four pillars, defined as:Ġ1. ![]() That is hard to do while maintaining an identity with cut-through in the hyper-competitive market for independent watchmakers. I have no obligation to create the same over and over again,” he adds.įor a relatively young watch business, founded in 2000, U-Boat has managed to establish both an instantly recognisable look for its watches (large, muscular and vintage) and develop a surprisingly broad range of unique styles with watches like its ladies’ Rainbow and oil-filled Capsoil. “I have always been fascinated by design, I create in total freedom,” says Mr Fontana. Just like the 1942 concept, every oversized U-42 has its crown on the left - a signature choice for the brand - and it uses the same crown locking mechanism and studded bezel as his grandfather’s concept. That watch was never produced during the war years, but its design was discovered decades later by Italo Fontana and was used as the blueprint for the modern day U-Boat U-42 family of limited editions. |
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