![]() The term has always been a subject of debate and criticism, particularly on how widespread such renewal movements were and on the validity of comparing them with the Italian Renaissance. This was notable since it marked a break with the dominant historiography of the time, which saw the Middle Ages as a Dark Age. The term was first used by medievalists in the 19th century, by analogy with the historiographical concept of the 15th and 16th century Italian Renaissance. These are effectively seen as occurring in three phases - the Carolingian Renaissance (8th and 9th centuries), Ottonian Renaissance (10th century) and the Renaissance of the 12th century. The medieval renaissances were periods characterised by significant cultural renewal across medieval Western Europe. For more guidance, see Wikipedia:Translation.You should also add the template to the talk page.A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at ] see its history for attribution. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation.If possible, verify the text with references provided in the foreign-language article. Do not translate text that appears unreliable or low-quality.Consider adding a topic to this template: there are already 5,905 articles in the main category, and specifying |topic= will aid in categorization.Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.View a machine-translated version of the French article.Entzminger, 'Jonson, the myth of Sidney, and nostalgia for Elizabeth', ReneƩ Pigeon, 'Gloriana goes Hollywood: Elizabeth I on film, 1937-1940' Paul N. Graham, 'Defining the "discipline" of Reformation Studies' Robert L. Prendergast, 'Politics, prodigality, and the reception of Chaucer's Purse Kenneth J.E. ![]() Melia, 'Congruent desires: medieval and modern reconstructions of Irish and Welsh literary artifacts' Thomas A. Clement, 'Richard Verstegan's reinvention of Anglo-Saxon England: a contribution from the continent' Anne Savage, 'Pagans and Christians, Anglo-Saxons and Anglo-Saxonists: the changing face of our mythical landscape' Daniel F. Niles, 'The wasteland of Loegria: Geoffrey of Monmouth's reinvention of the Anglo-Saxon past' Richard W. The contributions are as follows: John D. This volume features five essays that treat medieval subjects four focus on Tudor and Stuart figures, religion or politics and five concentrate on nineteenth-century uses of medieval or early modern events, literary conventions, settings and themes. Reworkings or adaptations of earlier culture often tell us more about the age in which they were produced than the one revived or revisited. ![]() In particular, the volume demonstrates that reinventions of past eras or figures can be motivated by a nationalistic desire to create cultural 'roots', to discover origins that justify a regime or group's self-identity, to appropriate a cultural icon or neglected author for a particular political agenda, or to reflect on contemporary social issues via a remote time and place. All of them focus on how and why the present of any period uses the past to promote its own opinions, beliefs, doctrines or views. They take an historicized approach to constructions of the past, and most address the relatively new field of Medievalism. The fourteen essays presented in this volume contribute substantially to the study of the reinvention of the Middle Ages and the Renaissance.
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